Mike McFerron is a professor of music and composer-in-residence at Lewis University in the Chicago area. He has been on the faculty of Hong Kong Baptist University, the University of Missouri-Kansas City Conservatory of Music and the Kansas City Kansas Community College, and he has served as resident composer at the Chamber Music Conference of the East/Composers' Forum in Bennington, Vt. McFerron is founder and co-director of Electronic Music Midwest and serves on the board of the directors for the Metropolitan Youth Symphony Orchestra and is a past Chair of the Executive Committee for the Society of Composers, Inc.
McFerron's music has received critical acclaim and recognition. His music has been performed by the Remarkable Theater Brigade (Carnegie Hall), the Louisville Orchestra, the Civic Orchestra of Chicago, and Cantus among many others. His music has been featured on numerous SCI National Conferences, SEAMUS National Conferences, the International Computer Music Conference (ICMC), Brooklyn College Conservatory's Electroacoustic Music Festival, the MANTIS (UK) festival, ÉuCue "Plugged Festival" (Montreal), University of Richmond's 3rd Practice Festival, New York City Electroacoustic Music Festival, Denison University TUTTI Festival, Ball State University New Music Festival, Florida State University New Music Festival, Spark Conference, Annual Florida International Electroacoustic Music Festival, Spring in Havanna, the MAVerick Festival, several SCI regional conferences, and concerts and radio broadcasts across the U.S. and throughout Europe. He has written music specifically for Cantus, SUNY-Oswego, GéNIA, Andrew Spencer, Julia Bentley, the Chamber Music Conference of the East/Composers' Forum, Nelson-Atkins Museum of Art in Kansas City, Lewis University, Sumner Academy of Arts and Science, and the Metropolitan Youth Symphony Orchestra.
McFerron's music can be heard on numerous commercial recordings as well as on his website at http://www.bigcomposer.com.
Dr. Ian Corbett is the Coordinator of the Audio Engineering Program, and Assistant Professor of Music Technology and Audio Recording at Kansas City Kansas Community College. He also owns and operates "off-beat-open-hats - recording and sound reinforcement", specializing in servicing the needs of classical and jazz ensembles in the Kansas City area. As an audio engineer, Ian's credits include releases on Innova, ICA, Look at You Records, and many non-commercial releases. He is a Co-Director and the Technical Director and Sound Engineer for Electronic Music Midwest, an electronic music festival held in Chicago and Kansas City. Ian previously spent several summers as the Assistant Manager of the Presentations (Audio) Department at Interlochen Center for the Arts. He has provided sound reinforcement for many headline artists including Bill Cosby, BB King, the Count Basie Orchestra, Dennis DeYoung (orchestra engineer), the Detroit Symphony Orchestra, Nanci Griffiths, Buddy Guy, The Kansas City Jazz Orchestra, The Kings Singers, Marilyn Maye, Jane Monheit, Randy Newman, Clark Terry, Nanci Wilson and many opening acts. He has provided sound system support for artists including the Boston Pops Orchestra, Canadian Brass, Chicago, The Chieftains, Rosemary Clooney, Bela Fleck and the Flecktones, Chris Isaak, Diana Krall, the Lincoln Center Jazz Orchestra with Wynton Marsalis, Lisa Loeb, Kenny Loggins, the Glenn Miller Orchestra, the Neville Brothers, Bob Newhart, Peter, Paul and Mary, the Preservation Hall Jazz Band, Joshua Redman, Take 6, and Dwight Yoakam. Ian authors articles on audio recording related subjects occasionally for Sound On Sound magazine ("Europe's number 1 selling recording magazine"), most recently a multi-media article on audio mastering published on their first DVD + magazine issue. Since 2004 he has been a member of the Audio Engineering Society's Education Committee, and in 2006 mentored students at the AES' Convention in San Francisco, CA.
Ian's composition credentials include a Doctor of Musical Arts degree from the University of Missouri-Kansas City, a Fellowship Diploma from the London College of Music, and an M.M. degree from Emporia State University, KS. He has works published by Emerson Edition, HoneyRock Publishing, London College of Music and Media, Penfield Music Commission, Watermark Press, and his music appears in "Theory Essentials", and new regularcharacterset book by Dr. Connie Mayfield (Schirmer). He has works released on Mark Records and Miso Records labels. His competition successes include an Honorable Mention in the 2002 ASCAP Morton Gould Competition, First Prize in the 2002 Musica Viva Electroacoustic Music Competition (Lisbon, Portugal), First Prize in the 1999 Penfield Music Commission Project Composition Contest, and First Prize in the 1998 Hastings College Jazz Ensemble Composition Competition. In 1994 Ian was awarded a Fulbright Scholarship to study Jazz at Indiana University.
A saxophonist and clarinetist, Ian has performed in venues such as Sydney Opera House (Australia), Valencia's Palau de Musica (Spain), and London's Royal Festival Hall, and for many radio broadcasts in the United Kingdom. He holds a Licentiateship Teaching Diploma (clarinet) and Associateship Performance Diploma (alto saxophone) from the London College of Music. Ian also plays an electronic wind instrument, integrating technology into many of his live performances. In 1994, he produced and staged a multi-media concert of commercial studio works in the Mumford Theater, Cambridge, UK. As a studio musician, his saxophone playing (and horn arrangements) are featured on several deep-house tracks, released in 2002 on the Viva and Hed Kandi labels, and in 2004 his solo compact disc "If That's You", was released by off-beat-open-hats.
Jason Bolte (b.1976) is currently serving as a Visiting Instructor of Music Technology and
Composition at the University of Central Missouri while completing his D.M.A. in Music
Composition at the University of Missouri – Kansas City Conservatory of Music and Dance.
He has also served on the faculty of the Kansas City Kansas Community College as an
Interim Instructor of Music Technology and Audio Engineering. Jason is a member of the
organizational board of the Electronic Music Midwest Festival, and a founding board member
of the Kansas City Electronic Music Alliance. Jason holds a B.M. with an emphasis in Music
Engineering Technology and a M.M. in Music Composition from Ball State University. His
music has been performed throughout the United States, Europe, and Latin America. In the
summer of 2007, Jason was an Associate Artist in Residence at the Atlantic Center for the
Arts with Master Artist Denis Smalley. Jason’s music has received awards and recognition
from the 2nd. International Electroacoustic Music Contest – CEMVA (Third Prize: 2008),
9th Electroacoustic Composition Competition Música Viva (Prize Winner: 2008), Bourges
International Competition of Electroacoustic Music and Sonic Art (Selection: 2006, 2008),
ASCAP/SEAMUS Student Commission Competition (Second Prize: 2008), ETH Zurich
Digital Arts Week Soundscape Competition (Recognition: 2007), Music Teachers National
Association, Missouri Music Teachers Association (Missouri Composer of the
Year/Commission: 2007), and International Society of Bassists Composition Competition
(First Prize, Media: 2005). More information is available at www.jasonbolte.com.
“With few opportunities and much competition, young composers show creativity in just getting heard.” And in Chris Pasles’s article in the Los Angeles Times, Robert Voisey is highlighted as one of those composers. Composing electroacoustic and chamber music, his aesthetic oscillates from the ambient to the romantic. Rob Voisey embraces a variety of media for his compositions, and pioneers new venues to disseminate his music and reach audiences around the world. In 2010, Voisey debuted “Mandala: Soft Fire” a video collaboration with Patrick Liddell at EMM (Electronic Music Midwest). His work “Ursa Minor” was selected for the 60x60 UnTwelve mix and received its debut in the Chicago Museum of Contemporary Art. His work “Electric Trains” was selected for the 360 degrees for 60x60 Sanguine mix. He was interviewed in the art magazine White Fungus and was highlighted as a “savvy” entrepreneur in the” Savvy Musician” a book by David Cutler. Robert Voisey is also the Director of the 60x60 project. An international electronic concert series promoting thousands of composers throughout the globe. He also co-directs the Composer’s Voice concert series, a monthly chamber concert series based in New York City.
M. Anthony "Tony" Reimer's award-winning compositions and sound designs have been heard in venues across the country and internationally for over 25 years. He has a bachelor's degree from Ball State University, a Master's in Computer Music and New Media from Northern Illinois University and is pursuing a doctorate in Music Com- position at the University of Illinois at Urbana-Champaign (UIUC). His passion is design- ing sound effects and writing music for live theatre, film, video games and interactive experiences. In addition to an active freelance career in theatrical sound design, Tony has also served as a sound designer and composer on many video projects and as the audio director and composer for the Mutiny Games company. He has also designed and implemented multiple interactive installations and data sonification projects in the Champaign-Urbana, IL area. Currently, Tony teaches sound design in the UIUC De- partment of Theater. He is also a researcher at the National Center for Supercomputing Applications, where he works on projects that aid collaborative efforts among artists, in- cluding things like a framework for collaborative development of multi-user virtual worlds, audience interaction technology through the use of mobile devices, and support for telematic performances. A complete list of works and other materials can be found at: http://www.toneguy.net/about.html.
Yuanyuan (Kay) HE began learning piano at age 5. She spent much of her youth studying the instrument and learning to paint with her paternal grandparents, who were both professional artists. She began studying composition at age 15 when she enrolled in the affiliated middle school of Shenyang Conservatory of China. From there, Kay went on to earn her BA at the Central Conservatory of Music in Beijing and her MM at the University of Missouri-Kansas City. She holds a DMA in composition from the University of Texas at Austin where she studied under Dr. Russell Pinkston and Dr. Yevgeniy Sharlat. Kay is also the founder and Director of the Austin, TX-based Turn Up Multimedia Festival for Women Artists, which works to promote women composers, performers, and visual artists.
Kay’s works often explore and intertwine various forms of media to create unique audiovisual experiences that engage the audience. Many of her works involve collaborations with choreographers, dancers, video artists, audio technicians, and stage lighting and design artists.
During her career, Kay has won many awards and been selected for many performances in the U.S. and abroad. Of note, her piano trio Imprint of the Spring Breeze won the grand prize at the 2nd ACC International Composition Competition in 2017 (Gwangju, South Korea). ISCM selected the flute and electronics piece On the Pivot of an Abandoned Carouselfor its 2016 World Music Days (Tongyeong, South Korea). Passeig de Grácia for orchestra was selected for the 2015 ACO Underwood New Music Readings (New York, NY). On the Threshold of a Drizzly Reality for cello and electronics was selected for 2014 performances at the International Computer Music Conference (ICMC) in Athens, Greece and the Root Signals music festival (Jacksonville, Florida). Shadow of Dewdrops was selected as a finalist for TICF2015 (Bangkok, Thailand) and Gamma UT in 2014 (Austin, TX). Legends of Old Peking won the Seattle Symphony’s Celebrate Asia Composition in 2012. Dying Away won the 2011 DuoSolo Emerging Composer Competition (Cortona, Italy). Destiny of the Sputnik was chosen for the 2011 Beijing Modern Music Festival Young Composers Project. And, many of Kay’s other pieces have won awards or competitions in other parts of the world.